A Chanel Travel Wallet Super Models Story

Erin O'Connor is Chanel Travel Wallet used to being judged on her appearance. The 33-year-old English supermodel whom Chanel's Karl Lagerfeld once described as “one of the best models in the world” is so striking that the eyes of everyone in the room linger on her angular, disarmingly symmetrical features and elongated frame.Her aesthetic – one which has the biggest fashion designers in the world clamouring to send her down their catwalks – is haughty, regal, otherworldly, so it's surprising to find her so, well, down-to-earth when we meet in a dark corner of the May Fair Hotel in London.In a black tailored suit, ox-blood brogues and red lipstick she is at once softly feminine and androgynous. Her posture and bone structure seem somehow aristocratic, but she is, famously, a working-class girl from Walsall near Birmingham. She can be frivolous, but is generally serious, speaking in confident, measured tones, but occasionally breaking into a laugh that's akin to a squeal. She loves fashion, but doesn't follow trends. Couture designers adore her, but she became one of the faces of Marks Chanel Classic Wallet Spencer in 2007 (“they called me their ‘wild card girl'”) . And while she is a self-proclaimed “freak of nature” she's unnervingly beautiful.“Someone once referred to modelling as being like winning the lottery gene pool,” she says with a confused laugh. “It's such an odd way to put things but what is different about modelling is that the industry often picks you. And a lot of models are, like me, from small towns, who often felt a sense of isolation growing up, of not being accepted amongst their peers because they were different. And I do think modelling offers up that sense of ‘well you are different, and that's quite alright.'”Growing up, O'Connor was 6ft by the age of 15. She was flat-chested with large feet and a large nose, and hid behind waist-length black hair, earning her the nickname “Morticia”. Teaching was her chosen path, before serendipity struck during a chance encounter with a model scout while rummaging in a bargain bin at the Clothes Show Live in 1996.“At first I thought that she thought I was stealing something,” O'Connor says with a chuckle chanel purse cake.

“She produced a Polaroid camera and I'd never really seen myself that way. Growing up, we took endless photographs and the films were shoved in the drawer and never developed. So it was quite an instant reaction to see myself like that on Polaroid film. I was wearing braces and everything else and she liked what she saw before I could really understand what the appeal was.”Within Chanel Coin Purse months she was modelling for Versace, but the lanky girl who was used to being teased for her height still couldn't understand what all the fuss was about. “I really did need that push because I was quite happy where I was, thank you very much,” she says.“And then all of a sudden I had to believe in fate because it was a relatively ordinary day but my life changed forever. I think naiveté was my armour and I allowed myself to be completely carried by that so I literally got the bus to the train station, landed in Victoria, put on a nice outfit and never looked back.”Where O'Connor couldn't see the appeal, the rest of the fashion world could. At a time when supermodels, from Cindy Crawford to Claudia Schiffer were every fleshy inch the male fantasy, she heralded a new era of androgynous “freak chic”. Lagerfeld said: “Her face is like a Roman vase – not a standard beauty, but a modern anti-beauty,” while actress Anjelica Houston told her Chanel Purse Forum “You'll never be pretty but you'll always be magnificent.”“She isn't only a model,” said Jean-Paul Gaultier. “She is quite like art. She is like theatre … I should love to be with her every day.”Gaultier was right of course. She is far more than just a model. Not only has she strutted and posed for most of the top luxury brands in the world and become the face of the British high street thanks to Marks & Spencer, but she has become the friendly spokesperson for an industry that's often perceived as aloof.As a past vice-chair of the British Fashion Council, she has a strong association with London Fashion Week – which kicks off on Friday – and it's a relationship that goes far beyond stepping out on the catwalk. In 2007 she founded the Model Sanctuary, a relaxing space during Fashion Week where models can have access to nutritionists, osteopaths and life coaches, and generally take a break from their hectic schedules. They see over 300 models a day, most of whom are in their late teens.“First and foremost they're young people in their own right,” she says Chanel Gst .

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ARGENTEUIL chanel 2.55 price 2012 – Bent over strips of blotting paper, senses primed and notebooks in hand: this is how generations of “noses” have honed their art at the world-famous Givaudan perfumery school near Paris.Fully one-third of all fine fragrances created worldwide owe their existence to alumni of the school, which has been training young men and women in the subtle art since 1946 in the bland suburb of Argenteuil.In the “vanilla building,” 5 perfumers in the making — a Frenchman, two Brazilians, a young woman from Japan and another from Morocco — are hard at work, studying test strips imbibed with various scents.“This is the room where ‘Opium' was created, and over there is where they invented ‘Poison',” said the school's director Jean Guichard, reeling off mythical names from the history of Chanel Price Increase 2012 perfume.Givaudan's former students include Jean-Claude Ellena, master perfumer at Hermes, Guerlain's in-house “nose” Thierry Wasseur, and Jacques Polge, Chanel's head perfumer since 1978 and the creator of both “Coco” and “Allure.”Guichard himself was the nose behind two well-known Cacharel perfumes, “Eden” and “Loulou,” for which he blended “vanilla, a powdery something and hibiscus flowers inspired by a Gauguin painting.”Right now, 26-year-old Leandro Petit is concerned with Lily of the Valley, a flower whose fragrance cannot be extracted, and which is therefore synthesized for perfumers from a mix of natural and chemical components.“I'm discovering all the different aspects of the substance,” he enthused. “It's fascinating.”On another table, 27-year-old Nisrine Grillie, a chemist by training, talked AFP through the basics of chromatography, Chanel Price Increase the molecule-by-molecule analysis of a perfume.“Each period has its great perfumes.”Both she and Leandro belong to a tiny elite, cherry-picked by the Givaudan group, the world's biggest fragrance and flavouring company which creates perfumes for the top luxury brands right down to shampoos and detergents.Of the 200 to 250 applicants each year, Guichard selects an average of just 3.“Our students are chosen for their academic profile and personality, but especially for their ability to understand their times, to be open to the world around them,” he said.“Each period has its great perfumes, its great filmmakers, its great musicians and its fashions. A great perfumer should be able to express the spirit of his age, to embody an era while doing what he loves chanel woc .”While there is theoretically no age limit, most of the students here are between 25 and 30, with 4 to 5 years of university education behind them, when they embark on the 3-year course.New graduates owe their first 5 years of work to Givaudan, which runs 6 creative studios in Paris, New York, Sao Paulo, Shanghai, Singapore and Dubai.Whatever their background, in science or humanities, a future nose needs technical training to get to grips with the vast field.Whether designing for a fragrance or a laundry powder, “there is a necessary apprenticeship — which they then have to put to one side in order to be able to create,” Guichard said.He leads the way towards the laboratory containing the Chanel Bags 2012 1,300 raw materials used at Givaudan, and the meticulously labelled bottles containing the mixes, simple or complex, produced from them.Students here are expected to master 500 of these substances “like the letters of the alphabet.”Then come the “chords,” as the combinations of materials are known, and last the “phrases,” families of scents as defined by the school founder Jean Carle — citrus, floral, woody, fern, oriental and “chypre” — a mix of citrus and moss.“But real skill is not about memorising ingredients,” Guichard says. “It's about invention, and that always involves a degree of chance.”Legend has it that Coco woc chanel iconic “Number was born of one such happy accident: a mix-up in the use of aldehydes, chemical compounds that act as aroma boosters and were new to perfumery at the time.While the perfumer Ernest Beaux was working on the recipe in 1920, a lab assistant is said to have used a full-strength aldehyde instead of a 10 percent dilution, combining with rose and jasmine to produce just the result Chanel Bags 2012 was looking for. Carolina Thaler was still removing glue from her face two days after Chanel stuck gems to her eyebrows for a show.The Brazilian model described the procedure which she endured for a catwalk presentation earlier this year. The rising star said the beauty trend is one she will avoid trying out again.“The chanel woc price eyebrows [from Fall/Winter 12] – they were really hard to take off after,” Carolina told NY Mag. “I mean, it wasn't that hard, but I think two days later, I still had some glue on my face. “The 20-year-old is still a relative newcomer to the modelling world, with the Fall/Winter 12 season catapulting her into the industry.Despite her relatively short career, she has racked up an impressive number of appearances already. Last season Carolina walked 33 runways in Paris, New York and Milan for collections including Just Cavalli, Y-3 and See by Chanel Bags 2012.

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At the Lesage atelier, a 15-minute car ride away from rue Cambon (in the ninth arrondissement), it was all about beads and embroidery. There were little drawers where beads, in all possible shapes, sizes and colours live until they are called upon to decorate an outfit.The Lesage archives store brown boxes containing the atelier’s works, dating as far back as 1912’s Schiaparelli, around the time of haute couture’s golden age.“Chanel Wallets is different,” Emily, the assistant to Monsieur Lesage, said. “One of the nicest clients to work with because they allow us to create new things from the archives and not just replicate the motif. Some couture houses ask us to do that (replicate). It’s so unimaginative. They treat this place like a mine.”A fashion graduate from St. Martins, Emily was busy sewing beads on tulle when the media group paid a visit to the atelier.“Personally, what I like about Chanel Wallets is even when it is haute couture, the clothes are still wearable.

You can see yourself wearing the dresses if you can afford them. Chanel Purse Forum They are not just statement-making pieces that are impossible to wear,” she continued.Once all the components were ready, the final work went back to the studios where workers put the outfits together and completed the finishing touches under the eyes of the respective atelier managers.“We are all very proud of what we do; there is a strong link between us and each dress that will be paraded on the runway,” Madame Martine said..It was less than 30 minutes to the show. The inside of Grand Palais, near the Pont Alexandre III which crosses the river Seine, has been transformed into a round, stadium seating where a giant pipe organ with steel tubes was being constructed.It was the hottest day of the week in Paris and the glass roof of the Grand Palais conveyed the heat to the fashionable crowd of celebrities, clients and writers from all over the globe who were busy fanning themselves with their thick, white invites.American Vogue editor-in-chief Anna Wintour sat in the front row. The magazine’s creative director, Grace Coddington and editor-at-large Andre Leon Talley, were there too. So were German supermodel Claudia Schiffer and singer Lenny Kravitz, as well as celebrated French photographer Patrick Demarchelier.Everyone waited with bated breath for what Lagerfeld had in store this Chanel Purse Forum season, for a brand that was often seen as the gold standard in fashion.Models wearing bob hairstyles and dresses and coats, that just 18 hours ago were still at the studios, came out one by one. And there it was … the painstakingly pleated grey number earlier worn by the mannequin.Directly inspired by the pipe organ, delicate tubing appeared everywhere. “It’s a visual effect that I am trying to translate in shapes, embroideries and volumes,” said Lagerfeld.On flannel outfits, tiny tubes narrowed the waist and gave volume to the hem. On satin, silk faille or taffetas, they adorned sleeves, pockets, lapels and busts.“These elements are stitched and embroidered. It’s totally incredible work. I wanted the result to be light and chic. I did everything so it would not be heavy or change the silhouette. It’s an Chanel Purse Forum absolute tour de force, a prowess of the ateliers. No machine can compete with the hand,” he said.The feather trimmings on a tweed jacket swayed like musical notes and the dramatic wedding gown, whose bobbing tulle was the centre of attraction, signalled the finale of a 20-minute fashion parade bearing 64 looks and more than 10,000 work-hours by hundreds of workers.After “King Karl” took his bow, the crowd clapped and one quietly wished that the applause would echo all over Paris, so the fine men and women who put the clothes together could listen to the well-deserved compliment.

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She beat Carla Bruni Chanel Coin Purse – whom Fressange has known “since she was in nappies” – into fifth place. “They don't see me every day. I promise I didn't pay for it,” is her laughing response. She adds, “I was very proud, of course, but my daughters were all giggling because they think of me in front of a pile of dishes screaming that I have nothing to wear. My daughter Nine did an interview for Teen Vogue in which she said that I spend hours in front of the wardrobe every morning, which is totally untrue because I have to take my little daughter to school at 8.30am!”What does Fressange think distinguishes French style? “In England people follow fashion much more than in France,” Chanel Coin Purse she says. “I imagine Bridget Jones working in an office and dying to go and buy a pair of shoes at lunchtime, you know.
French women have a kind of arrogance. It's: ‘I ignore fashion, I do my own thing.'”In France there is also less of an obsession with youth Chanel Coin Purse . Fressange caused something of a sensation in January last year when she modelled for Jean Paul Gaultier's couture show. There was nothing tokenistic about her sultry turn and the audience were thrilled. “People were happy to see that Gaultier likes old ladies too,” she jokes. “There he was showing that he likes all kinds of women. I think people were clapping for that too, to show that it's possible to be fine at 51, as I was then, without botox.” She's also frustrated by the fact that it's “impossible to find a woman who is more than 30 years old in magazines. It's like being older is hidden, there's no one for women to identify with.”The secret of Fressange's longevity as a style icon isn't just Chanel Coin Purse her gamine bone structure and sinewy grace (she manages to make eating an overstuffed club sandwich while we chat look surprisingly elegant) but also her intelligence and mischievous animation. She once greeted Anna Wintour for a private viewing at Chanel by going into the changing room and putting on the same red suit and a pair of dark glasses and mimicking her. It's a testament to Fressange's charm that Wintour laughed. In the Eighties she became famous for subverting the catwalk's traditional poses and generally appearing to have fun – although she says that the highlight of her modelling career was “when I stopped. It's boring to be a model.” Despite this, she rips through a list of catwalk memories with all the excitement of a child unwrapping a Chanel Coin Purse Christmas present.

There was the time she took a bit of burnt cork and drew herself a huge moustache; the catwalk appearances with skis or her dog; and the occasion a photographer put a joke-shop knife on his head to elicit a scream.It was also in the Eighties that Fressange pioneered the idea of wearing a Chanel Coin Purse jacket with Levi 501s, and as she wanders around the plush Roger Vivier boutique greeting customers with two kisses, she still looks the epitome of chic understatement. Although she sometimes wears heels, she prefers the fuss-free practicality of flat shoes, and is scornful of the way that “some people think that shoes are ladders. No man is going to say, ‘I would love you so much more if you were 10cm taller'. Women are suffering, you know. Elegance is about feeling nice, how can you feel nice when you have shoes that are like a prosthesis?”She particularly loves Vivier's flat “Chanel Coin Purse”-style shoes, because “I can wear them during the evening or day, with a dress or with trousers. They can be classic and chic but never bourgeois or boring.” The same could be said of the chic-est woman in France.

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Inside Chanel French fashion house Chanel is touting the history of its jewelry collections via the third chapter of the Inside chanel 2012 video series.Chapter three titled “Chanel and the Diamond” tells the story of how Gabrielle Chanel revolutionized the world of high jewelry when she introduced the “Bijoux de Diamants” diamond collection. This is the third video that shows the history of Chanel’s innovations in the Inside Chanel series.“This approach provides a tasteful view of Chanel’s history, but more importantly, its success throughout the years,” said Dalia Strum, president of Dalia Inc., New York.“The brand is able to visually story-tell how it has withstood the test of time with its iconic timeline through these videos,” she said.“This site will create additional value for chanel usa as they increase the content provided to viewers excited to advocate and support the brand as well as the potential to engage about these relevant topics.”Ms. Strum is not affiliated with Chanel, but agreed to comment as an industry expert.The diamondChanel and the Diamond video runs more than three minutes long and details the history of the Bijoux de Diamants collection. The video begins with a white screen and a quote from Ms. Chanel that reads “If I have chosen the diamond, it is because it represents, in its density, the greatest value in the smallest volume.”Then, the video launches into the history of how the diamond came to be an important jewel in fashion.After the narrator gives a short background of the diamond and Ms.
chanel usa the video then talks about her style and reinvention of how diamonds should be worn.Her design inspirations are highlighted through animations and images that make the words come to life as they are read by the narrator.Next, the story tells how she displayed her diamond collection in her own home by using wax mannequins to show off the jewels, which created an uproar in the diamond community.Lastly, the story of her collection comes to an end by stating that although the diamond collection was Ms. Chanel Gst only high-jewelry collection, it changed the way diamonds are used today and inspired the brand’s current designs.The last few seconds of the video show how Ms. Chanel’s diamond designs are still being used in contemporary fashion. The video boosts the value of the brand by explaining its history with diamonds, while it is also informing consumers about the brand.“This digital approach provides a strong connection with how Chanel Gst was able to last the test of time, allowing views to strongly advocate and support a strong piece of fashion history,” Ms. Strum said.“The curated perspective of how Chanel created a movement for sparkle and shine is truly prevalent in today’s style,” she said.The story goes onIn 2012, Chanel released Chapter One and Chapter Two of the Inside Chanel series.The label introduced consumers to its brand heritage via the Inside Chanel microsite that retraces the people and events that led up to the creation of the label.The site was launched with the legend of iconic perfume Chanel Gst for the first chapter.

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Shopping chanel gst price Spots ParisParis is one of the world's best shopping destinations. Though you can always rely on the city's numerous glitzy storefronts and luxury shops, we highlight five of the hottest retail spots that you won't find in your run-of-the mill travel guide.Version Vendome and Kreon, 1 bis, place de ValoisThis modern lifestyle-design outpost sits in the middle of the French Ministry of Culture's compound on place de Valois. Opened just a month ago, the spatial collaboration between Version Vendome and Kreon is already busy catering to Paris' plugged-in architects and designers. On the showroom floor, Version Vendome offers contemporary furnishings, including wooden tables with sinuous lines, cubic chairs embedded with nails and baroque-inspired, red resin chandeliers. Kreon‘s chanel gst price products, however, are less obvious.
The Belgian company's architectural lights hover from the ceiling, enhancing the ambience of the space instead of competing for attention. If you're a serious shopper, Kreon's subtle illumination may already be familiar—Stella McCartney, chanel gst price and Colette stores are all outfitted with them. According to our insider sources in Paris, Hedi Slimane and Karl Lagerfeld are also fans of Kreon.7L, 7 rue de LilleSpeaking of Mr. Lagerfeld, if you're interested in what stimulates his mind, head to 7L, not Chanel. Lagerfeld, a self-proclaimed bibliophile, owns this Saint Germain bookstore, which houses a discerning collection of books and magazines. Art and photography tomes from established fashion photographers such as Peter Lindbergh as well as edgier artists like Gregory Crewdson surround the mirrored walls. On the waist-high tables lay diverse architecture, travel and furniture books, and the magazine racks offer art pubs like Fotografie and Frieze. There's also a fine selection of novels, if you're more fiction-minded. Considering chanel gst price that Lagerfeld has a glamorous hand in all of it, the store's atmosphere is refreshingly unpretentious.
Mona, 17 rue BonaparteA few blocks away is unassuming womenswear shop chanel gst price Mona. Although it opened four years ago, the store doesn't have a website—a prerequisite of modern retail practice—and isn't well publicized. But this modesty makes it the perfect antidote to the glitzy Dior and Louis Vuitton stores up the block. Reminiscent of Kirna Zabête in New York, the store has a potent mix of merchandise that will please even the pickiest of shoppers. There are girly frocks from Stella McCartney, sleek Lanvin silk shifts, pleated chiffon dresses by Derek Lam, knit swimwear from Missoni and Charles Anastase's coats.

On the accessories front, chanel gst price the store stocks coated canvas totes from Lanvin (a must-have for spring) and Bottega Veneta‘s Intrecciato clutches. And ladies with a shoe fetish, hold your breath: Mona has one of the best selections of Pierre Hardy in town.Jerome Dreyfuss, 1 rue JacobJerome Dreyfuss has taken several turns on the fashion merry-go-round, finally settling into the cozy niche of luxury handbag design in 2002. His soft, supple leather bags come in a selection of colors and exotic skins that make Parisian girls go gaga. But eco-conscious fashionistas will be delighted to know that Dreyfuss has also launched Agricouture, a label that respects the leather-making process, paying extra attention to every step, from the breeding of the animals to the dyeing procedures. With an opening slated for Monday March 10 chanel gst price , his new, freestanding boutique will be located at 1 rue Jacob—if the address sounds familiar, that's because it's right next door to the shop of Isabel Marant, his fashion designer wife.Shimji, 7 rue du PercheWe wrote about this unisex boutique when it opened over two years ago, and it continues to be a favorite stop in the upper Marais area during our jaunts to Paris. And now that the neighborhood is filling up with contemporary, Sentier-type stores, Shimji's well-edited selection of edgy Japanese and European designers—including including Kiminori Morishita, Share Spirit, Petar Petrov, Numero 10 and Piero Guidi—is a welcome alternative. Rival L'Eclaireur may be rapidly expanding, but Shimji still holds its own as one of Paris' prized destinations.

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Her friends included Cocteau Chanel Price , Picasso and Chaplin. She had a love affair with Russian composer Igor Stravinsky. No wonder Coco Chanel (1883-1971) is the muse for the coolest names in fashion – from Kate Moss and Jefferson Hack to Nicole Kidman.When news broke last week that English National Ballet dancers will wear Chanel haute couture for a special production to celebrate the centenary of the influential troupe Ballets Russes, it was further evidence that the world has gone Coco mad.Chanel's visionary creative director, Karl Lagerfeld – key to its eternal modernity – has designed a series of outfits for the production at Sadler's Wells in June, including a tulle dress studded with camellias (Coco Chanel's favourite flower).You can't step out of doors without encountering Chanel Price face on billboards – all iconic bobbed hair, high cheekbones and porcelain skin. Two rival films about her life are set to open.Coco Avant Chanel, starring French actress Audrey Tautou, looks at her early life. Later this month, Coco Chanel & Igor Stravinsky, with rising French star Anna Mouglalis as Coco, will take the prestigious closing slot at Cannes.On top of this, Tautou is the new face of Chanel Price No 5.
The advert, which first screened last week (directed by Jean-Pierre Jeunet, who worked with Tautou on Amélie), is set on the Orient Express and features a romance between two travellers.And this autumn HarperCollins publishes a new biography, simply titled Coco Chanel, by Justine Picardie.So why does she haunt us still? Rake-thin, cigarette eternally in hand, Chanel Price embodied modernist chic.She gave us a look both contemporary and classic – suntans, fake pearls, sailor stripes and little black dress – and elevated simplicity to the height of luxury. She was the only designer to be named on Time magazine's 100 most influential people of the 20th century.At Paris Fashion Week, publisher Jefferson Hack threw a party in “Coco's” private apartment, in the Rue Cambon. The first floor of the Chanel Price boutique downstairs was turned into a bar and dance floor.As Lagerfeld chatted upstairs, in Mme Chanel's dining room, with Moss and Jamie Hince, on the floor below, Stefano Pilati danced up a storm with Milla Jovovich and the International Herald Tribune's Suzy Menkes Chanel Price .
According to British writer Chris Greenhalgh, whose novel was made into the film Coco Chanel Price Igor Stravinsky, her life was always destined for the biopic.“There had been a film on Marie Antoinette, about Edith Piaf, about Joan of Arc… so she was next. But obviously she had a rags to riches story, so there's a Cinderella element. She was an orphan, went to a free school and a convent, and basically by a mixture of luck and hard work, she made it.“But mixed in with the fairytale there's a tragic element. She was in love with several men who died on her; the love of her life married an aristocrat, because she wasn't high-born enough. The Duke of Westminster – she was in love with him but she wouldn't give up her work.“So she was an independent woman, a trailblazer but the tragedy is she never married even though she was desperate to have children. And then there's her artwork. To produce classics in one genre is astonishing, in terms of her clothes and her black and white designs, but to do it as well with perfume, is doubly amazing Chanel Price . She was a tremendously shrewd businesswoman but she was also a genuine artist.”Liz Walker, fashion consultant for Marie Claire, agrees: “She was immensely stylish. There was also something a bit naughty about her.“Her life was quite exciting – living at the Ritz, the jewels, the fabulous houses. But she was a visionary. If you look back at pictures, it was amazing how early she wore trousers, while people around her were in Edwardian clothes.”In 1913, Chanel Price introduced women's sportswear at her new boutique in Deauville. She ushered in a “new breed” of self-confident women who played sport, drove and went to nightclubs.“I gave women a sense of freedom; I gave them back their bodies: bodies that were drenched in sweat, due to fashion's finery, lace, corsets, underclothes, padding,” she boasted.
She designed costumes for the Ballet Russes and launched her fragrance,Chanel Price, in 1921 (the first to have a designer's name attached to it). But Mademoiselle (as she was known to her staff) could be tough and quite cold.“Fashion design was seen as a second-class artform,” says Greenhalgh. “She wasn't seen as part of high society, she was seen as a dressmaker. Her life was one long determined effort to prove she was someone to be reckoned with.”In 1954, after a period of exile following Second World War, Coco returned to Paris and to a different fashion audience. The French papers panned her new collection. But the Americans loved those quilted bags and little black dresses.She reinvented the classic Chanel suit – and enjoyed a huge resurgence, helped by Jackie Kennedy's patronage.In 1969 her life become a Broadway musical – Coco. Chanel Price was delighted to discover she would be played by a Hepburn; less so when she found out it wasn't clotheshorse Audrey but Katharine. Chanel died aged 87 at the Ritz, and was buried in Switzerland but her style lives on in a new generation of Chanel-maniacs.Fashion icons such as Ines de la Fressange and Lady Amanda Harlech have proved you can wear a Chanel jacket with jeans, while actresses from Catherine Deneuve and Keira Knightley to Tautou queue up to be the face of Chanel Price.But will fashion's grande dame be embraced by the children of the Noughties? I should Coco.Coco Chanel PriceIgor Stravinsky closes Cannes on 24 May